Date Codes: How Old Is My Speaker?

One question we’re often asked is “how old is my speaker?” Well, whether it’s truly vintage or was built just a handful of years ago, if your speaker is in reasonable condition, then it’s straightforward to find this out for yourself.

Most Celestion chassis drivers have been marked with a date code (two numbers and two letters), denoting the exact date of manufacture. These codes are added on the production line and are found in different locations depending on the age (or type) of speaker.

They can be:
1. Stamped on the rim of the chassis (pre 1952);
2. stamped on the front gasket (1952-1967 and modern alnico guitar speakers);
3. on the speaker’s chassis leg (1968-2001 and Heritage Series guitar speakers);
4. or printed onto a white ID label stuck onto the magnet’s edge (2001 to date).

If you can track down the date code, then all you need to do is refer to the following table, which provides a record of the date codes used throughout the years, and you should be able to decipher the code.

Date codes are expressed in the form of two digits DD: representing the day of the month 01 to 31(although in some years you might find this is a single digit for days 1 to 9) and two letters, one being the month (M), the other being the year (Y). You’ll see from the table below that the format varies from time to time, sometimes the  digits denoting the day come first (DDMY), other times they come at the end (MYDD). Be mindful of the variation when working out your speaker’s age.

From the speaker in the photo we can see that the date code is BL14, so the format is MYDD. That makes the date for this speaker February 14, 1978.

With acknowledgement to Michael Doyle who did some great research work in the early 1990s verifying the format of pre-1968 date codes. You can read more about that in his fine book, The History of Marshall. More recently, Brian Harding has done much in-depth work investigating and compiling date codes from the early 1950s, going as far back as 1944: we’re grateful to him for that information and happy to include it here. You can read more about Brian’s investigations on his excellent website: Bygone Tones.

Celestion Date Codes

MONTH 1944 – 1955
[DDMY]
1956 – 1968
[DDMY]
1969 – 1991
[MYDD]
1991 – 2014
[DDMY]
2015 – Date
[MYDD]
A – Jan A – 1944 A – 1956 B – 1969 A – 1991 A – 2015
B – Feb B – 1945 B – 1957 C – 1970 B – 1992 B – 2016
C – Mar C – 1946 C – 1958 D – 1971 C – 1993 C – 2017
D – Apr D – 1947 D – 1959 E – 1972 D – 1994 D – 2018
E – May E – 1948 E – 1960 F – 1973 E – 1995 E – 2019
F – Jun F – 1949 F – 1961 G – 1974 F – 1996 F – 2020
G – Jul G – 1950 G – 1962 H – 1975 G – 1997 G – 2021
H – Aug H – 1951 H – 1963 I/J – 1976 H – 1998 H – 2022
I/J – Sep I/J – 1952 I/J – 1964 K – 1977 J – 1999 J – 2023
K – Oct K – 1953 K – 1965 L – 1978 K – 2000 K – 2024
L – Nov L – 1954 L – 1966 M – 1979 L – 2001 L – 2025
M – Dec M – 1955 M – 1967 N – 1980 M – 2002 M – 2026
A – 1968* P – 1981 N – 2003
Q – 1982 P – 2004
R – 1983 Q – 2005
S – 1984 R – 2006
T – 1985 S – 2007
U – 1986 T – 2008
V – 1987 U – 2009
W – 1988 V – 2010
X – 1989 W – 2011
Y – 1990 X – 2012
Z – 1991 Y – 2013
Z – 2014

Loudspeaker Development Engineer

See your engineering designs come to life as new Celestion products!

We are seeking an experienced loudspeaker drive-unit engineer to be based at our modern design facility in Ipswich, UK.

The role involves the design of OEM drivers for the music industry and for sound-reinforcement applications. This important position will be responsible for all aspects of design, driver specification, documentation and project management through to production.

The role requires the successful candidate to develop new designs from initial concept into full production. You will have a degree in a relevant engineering or acoustics discipline and an understanding of loudspeakers. Previous experience of using finite element analysis and measurement systems such as Klippel would also be an advantage.

As well as these skills you will be a team player able to work with a minimum of supervision and meet demanding deadlines in a busy department. Good communication and IT skills are essential as is the confidence to steer projects to a conclusion. The successful candidate will be joining a friendly team within a fast-paced and exciting working environment.

In addition to a competitive salary, we offer the following benefits:

  • Enhanced sick pay
  • Employee Assistance Programme
  • Enhanced pension
  • Free onsite parking
  • Employee discount
  • Free tea and coffee

Here at Celestion we know it’s our people that make our business great, we work hard as a team and do our best to ensure our staff feel supported and valued. Please note, due to the location of our office you will ideally need to have your own transport.

Job Types: Full-time, Permanent.

Salary: Commensurate with qualifications and experience

To apply, send your CV and a covering letter to: Human Resources, Celestion, Claydon Business Park, Great Blakenham, Ipswich IP6 0NL, UK or via email.

Celestion Presents an Interview with Lothar Stamer, HK Audio

St. Wendel, Germany (April 21, 2022) — Brothers Hans and Lothar Stamer have dual identities in the pro audio industry. On the one hand, their guitar amp and accessory brand Hughes & Kettner is sought after for being high-tech, high-end, and offering ultimate tone since 1984. And their celebrated company, HK Audio, delivers PA systems ranging from portable battery-powered units suitable for singer-songwriters to large line arrays. Celestion sat down with Lothar Stamer to speak about the brothers’ musical roots and philosophy, the pro audio industry, the company’s technology and music in general.

Starting out as a drummer in a band who was responsible for the sound system, Stamer first began to experiment with PA systems solutions:

“As a drummer in a band in the late ’70s, I was the one who was responsible for the sound system. That was the time when things started to move away from pure “vocal systems” and more towards PA systems that could amplify all the instruments. This involvement with PA technology is where my fascination for sound started. I was amazed that just one speaker and two cables could ignite so much emotion. So, I experimented with the systems available on the market, but I wasn’t really satisfied with any of the solutions I found. My studies at the time focused on speaker acoustics, and I began to develop and build my own PA systems, as I just knew that I could create something better. My brother Hans Stamer was also developing an interest in the field around that time, so in 1979 we founded the company Stamer Musikanlagen together, where I still work as CEO today.”

Stamer points out that his company’s legendary position in the industry is a result of their collective passion for sound as well as top quality engineering and manufacturing.

“Our passion for sound is what we live for. Ever since we started, we have wanted to offer our customers better sound quality, more user benefits and increased ease of operation – or simply put: a better product. Our products are made in Germany, and for us, that’s not just a sign of quality, but it shapes the very identity of our company as a community. I know the people who work for us, some of them I’ve known for many years, and I know the emotion and energy they put into producing and marketing our products. We feel confident the enthusiasm we have for our products is passed on to our users.”

When asked to name HK Audio’s biggest product innovation, Stamer points to a number of the company’s technological innovations:

“The ultra-compact HK Audio LUCAS NANO is the only professional stereo PA system that can be carried with one hand and yet still manages to deliver clear and powerful sound, even in the bass range. And the HK Audio ELEMENTS combines a scalable line source principle with the wide-ranging possibilities of modern digital technology, offering professional users the benefits of networking, remote operation and an effective yet spectacularly simple cardioid function, he says. “Our largest system to date, the HK Audio COSMO, takes line array performance to a new level of productivity and efficiency; the ability to operate it as a mixed array with different dispersion characteristics gives users the maximum flexibility in a wide variety of live sound scenarios.”

“Throughout our company’s history, we have been able to prove time and again that our philosophy of not only meeting customers’ needs, but exceeding them, is the perfect catalyst for exciting innovations,” concludes Stamer. “That’s why I can’t necessarily single out just one product.”

Click here to read the full interview with Lothar Stamer on the Celestion Speakerworld blog.

About Celestion

With worldwide headquarters in Ipswich, England, Celestion design, develop and manufacture premium guitar and bass loudspeakers, and high-quality professional audio drivers for sound reinforcement. These world-renowned speakers are used onstage and in clubs, theatres and other venues the world over. Contact Celestion at: info@celestion.com and visit us on Facebook at www.facebook.com/celestion. www.celestion.com

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Celestion Presents an Interview with Lothar Stamer, HK Audio

Brothers Hans and Lothar Stamer have dual identities in the pro audio industry. On the one hand, their guitar amp and accessory brand Hughes & Kettner is sought after for being high-tech, high-end, and offering ultimate tone since 1984. And their celebrated company, HK Audio, delivers PA systems ranging from portable battery-powered units suitable for singer-songwriters to large line arrays and everything in between. Not surprisingly, this means they know a thing or three about speakers. We were privileged to speak with Lothar Stamer about the brothers’ musical roots and philosophy as makers of some of the best musical equipment on the planet.

What is your favorite album of all time and why?

I think Pink Floyd is incredible. It’s hard to pick just one album, but ‘The Wall’ is a rock opera with so many layers that you can easily listen through it, whatever mood you’re in, without even thinking of skipping a song. I am truly in awe of the infinitely vast realms of ‘Wish You Were Here’ and the sheer power of ‘Animals’ every time I listen to them. It really is music for the ages.

What is the thing that made you want to be part of the audio/music industry? How did you get your start in the business? And with this company? What is your current position and how did you get there?

As a drummer in a band in the late ’70s, I was the one who was responsible for the sound system. That was the time when things started to move away from pure “vocal systems” and more towards PA systems that could amplify all the instruments. This involvement with PA technology is where my fascination for sound started. I was amazed that just one speaker and two cables could ignite so much emotion. So, I experimented with the systems available on the market, but I wasn’t really satisfied with any of the solutions I found. My studies at the time focused on speaker acoustics, and I began to develop and build my own PA systems, as I just knew that I could create something better. My brother Hans Stamer was also developing an interest in the field around that time, so in 1979 we founded the company Stamer Musikanlagen together, where I still work as CEO today.

How did your background influence the job you do now? The company overall?

I am an engineer and I love technology and developing new technologies. I am surrounded by people who share this passion in our company. We have been working on new ideas and on improving ourselves every day since the very beginning. And that’s something that affects each and every employee as well as my own work.

You and your company are legendary in the industry. In your viewpoint, what is the main reason for that?

Our passion for sound is what we live for. Ever since we started, we have wanted to offer our customers better sound quality, more user benefits and increased ease of operation – or simply put: a better product. Our products are made in Germany, and for us, that’s not just a sign of quality, but it shapes the very identity of our company as a community. I know the people who work for us, some of them I’ve known for many years, and I know the emotion and energy they put into producing and marketing our products. We feel confident the enthusiasm we have for our products is passed on to our users.

Which product do you consider your company’s most innovative?

Throughout our company’s history, we have been able to prove time and again that our philosophy of not only meeting customers’ needs, but exceeding them, is the perfect catalyst for exciting innovations. That’s why I can’t necessarily single out just one product.

The ultra-compact HK Audio LUCAS NANO is the only professional stereo PA system that can be carried with one hand and yet still manages to deliver clear and powerful sound, even in the bass range.

HK Audio ELEMENTS combines a scalable line source principle with the wide-ranging possibilities of modern digital technology, offering professional users the benefits of networking, remote operation and an effective yet spectacularly simple cardioid function.

Our largest system to date, the HK Audio COSMO, takes line array performance to a new level of productivity and efficiency. The ability to operate it as a mixed array with different dispersion characteristics gives users the maximum flexibility in a wide variety of live sound scenarios.  

 What do you think has been the single most important technological achievement in our industry?

The combination of mathematics and computers, or more specifically, simulation technology. Simulations play a huge role in our development processes. They save us an incredible amount of time.

What is the accomplishment that you are most proud of?

The development of the Multicell transformer, which is also used in the LUCAS NANO 600, marks a major milestone for HK Audio. By transforming the acoustic resistance and running times of differently shaped horns arranged in parallel before the high-frequency driver, it enables purer sound, more precise dispersion, and more compact designs.

And then there is the “Spirit Tone Generator,” a small revolution at Hughes & Kettner which reproduces the analogue processes of a tube circuit in an extraordinary way and gives guitarists an extremely versatile sound design tool.

Tell us a little about your company culture and your philosophy in leading the team.

Our company’s strong foundation is based on three principles: a passion for music, the joy of creation and effortless top performance. Most of our 160 employees are active as musicians or audio engineers and are passionate about what they do. It is important to us to be able to offer them somewhere they can freely channel their enthusiasm and actively promote and shape our success. We see ourselves as a performance-oriented community with a rather light-hearted approach – after all, one can only truly achieve great results with a clear mind.

How is your company poised for the future?

As a modern mass producer, we make use of all options currently offered in terms of international production for the manufacture of our products. At the same time, it is important to us that we have our own skilled workers at our St. Wendel production site in Germany. Production is an important part of our identity. Close links and effective communication ensure that we can operate successfully, even in a rapidly changing market. Our focus is always on creating an outstanding sound experience. It is our way of respecting the musicians and sound engineers of this world – by giving them the best possible tools.

What music do you enjoy listening to these days?

For me, music is mainly about good sound that moves me. That’s why I enjoy classics just as much as modern music. However, I often find live music more captivating than studio recordings. I recently had the opportunity to listen to the Dutch band De Staat live on an HK Audio COSMO line array. Hearing the band’s power and dynamics over such a powerful system really wowed me.

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Celestion Presents an Interview with Geoff McKinnon, Director of Engineering & Quality at EAW

Whitinsville, MA (January 12, 2022) — Eastern Acoustic Works (EAW) has been designing and manufacturing advanced loudspeaker systems since its founding in 1978. The company prides itself at listening very carefully to their customers’ needs and responding with innovative products and solutions to help them in achieve consistently stellar performances. These days, every EAW loudspeaker system is controlled by their proprietary advanced software application, Resolution, which empowers clients to be able to map, audition, monitor and dynamically refine their sound systems to match the requirements of a specific application or venue. As part of the Legends interview series, Celestion sat down with Geoff McKinnon, EAW’s Director of Brand Engineering and Quality, to discuss the pro audio industry, his technical innovations and career at the company, and music in general.

The combination of music and technology has always captured McKinnon’s interest, who from a young age, was always curious about how things worked.

“When I started playing in bands in high school, I quickly found myself running sound for bands as well as for school and church events. That’s where I discovered the Pro Audio world – mixers, loudspeakers, microphones and how the systems were set up, McKinnon says. “And I always really wanted to be an engineer. I studied electrical engineering at Rensselaer Polytech Institute (RPI) in Upstate New York. I was really fortunate that RPI had a sound club, and the school owned all this great gear including mixers, loudspeakers, microphones, etc. I really got to share and learn with other students.”

It was through a friend in that same sound club that McKinnon first discovered EAW:

“A friend and alumnus of that sound club worked at EAW and gave me a tour. At that point, I was hooked — I knew that I wanted to design loudspeakers,” he adds. “It took a few years but I finally got an opportunity to work at EAW as an acoustic engineer. It gave me a chance to work with and learn from a number of talented industry veterans and be a sponge and absorb it all! After working on a wide variety of projects, I was asked to work on an advanced loudspeaker system, which would become EAW’s flagship line, the celebrated ADAPTive series of products, including the Anna and Anya adaptive arrays, the Otto adaptive subwoofer, and now the new AC6 adaptive column loudspeaker.”

In terms of EAW’s position as an industry legend, McKinnon points out that the company has always been about innovation that works for the customer.

“In our case our most innovative product is not necessarily a loudspeaker. I feel it is EAW’s Resolution 2 software, which allows for system design, venue modeling and operation of all EAW’s loudspeaker products within one application. Resolution software is really what empowers our entire product family. The high performance of our ADAPTive loudspeaker systems would not be possible without this powerful software. Resolution calculates the parameter set to adapt the coverage of the loudspeaker system to any venue and make changes in real time. That power is in the software.  Resolution 2 is free to download from our website so it’s also the easiest EAW product to experience.”

When asked about the most important technical achievement in the PA industry, McKinnon points to two innovations – Digital Signal Processing and accurate computer modeling tools.  As he says, “These both have really changed the ability to predict the performance of a sound system in a very precise way. We can now be confident that we can have consistent performance day to day, venue to venue.  This was not possible before these advancements.”

And in terms of EAW’s innovations and success, McKinnon gives credit to the team at EAW:

“Our team is quite dedicated.  We have a work smarter not harder approach to solving problems and helping our customers. For me, I really try to empower each person on the team to deliver products and solutions which help demonstrate their own individual passion for what they do. I want to ensure that talented people have the power to express that passion in products they develop, and solutions that are delivered to customers, adds McKinnon. “And we are always committed to continually innovating and developing exciting products to serve the needs of our customers.”

Click here to read the full interview with Geoff McKinnon on the Celestion Speakerworld blog.

About Celestion

With worldwide headquarters in Ipswich, England, Celestion design, develop and manufacture premium guitar and bass loudspeakers, and high-quality professional audio drivers for sound reinforcement. These world-renowned speakers are used onstage and in clubs, theatres and other venues the world over. Contact Celestion at: info@celestion.com and visit us on Facebook at www.facebook.com/celestion.

www.celestion.com

 

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Celestion Presents an Interview with Geoff McKinnon, Director of Engineering & Quality, EAW

Eastern Acoustic Works (EAW) has been designing and manufacturing advanced loudspeaker systems since its founding in 1978. The company prides itself at listening very carefully to their customers’ needs and responding with innovative products and solutions to help them in achieve consistently stellar performances. These days, every EAW loudspeaker system is controlled by their proprietary advanced software application, Resolution, which empowers clients to be able to map, audition, monitor and dynamically refine their sound systems to match the requirements of a specific application or venue.

We spoke with Geoff McKinnon, EAW’s Director of Engineering and Quality, the brains behind these loudspeakers with brains.

What is your favorite album of all time and why?

For the past 25 years, my favorite album has been Metallica, Master of Puppets. I really like all the songs on that album, the wide range of songs, the fast pace and energy and all the guitar solos on that album.

What is the thing that made you want to be part of the audio/music industry? How did you get your start in the business? And with this company? What is your current position and how did you get there?

It has always been the combination of music and technology that captured my interest in Pro Audio. As a kid, I remember always being curious and trying to figure out how things worked, including guitars, pianos and musical instruments. That drew me to both music and technology.

When I started playing in bands in high school, I quickly found myself running sound for bands as well as for school and church events. That’s where I discovered the Pro Audio world – mixers, loudspeakers, microphones and how the systems were set up.

And from a young age, I always really wanted to be an engineer. I studied electrical engineering at Rensselaer Polytech Institute (RPI) in Upstate New York. I was really fortunate that RPI had a sound club, and the school owned all this great gear including mixers, loudspeakers, microphones, etc. I really got to share and learn with other students.

It is actually through a connection at that sound club that I discovered EAW.  A friend and alumnus of that sound club worked at EAW and gave me a tour. At that point, I was hooked — I knew that I wanted to design loudspeakers!

Of course, it took a few years, as industry positions don’t come up that often, but I finally got an opportunity to work at EAW as an acoustic engineer. It gave me a chance to work with and learn from a number of talented industry veterans and be a sponge and absorb it all! After working on a wide variety of projects, I was asked to work on an advanced loudspeaker system, which would become EAW’s flagship line, the celebrated ADAPTive series of products, including the Anna and Anya adaptive arrays, the Otto adaptive subwoofer, and now the new AC6 adaptive column loudspeaker.

I have been at EAW for 11 years and am now the Director of Engineering and Quality.

How did your background influence the job you do now? The company overall?

I’m fortunate that my background has been hands-on, working alongside audio professionals in the industry and their customers. That, along with my experience as a band member allowed me to understand Pro Audio as a service industry. The products we create need to perform well sonically and also be trusted by professionals from show to show. My experience has helped me understand the intangibles that matter in the equation beyond what is on the spec sheet.

You and your company are legendary in the industry. In your viewpoint, what is the main reason for that?

EAW is certainly an industry legend. EAW is a company that has always been about innovation — innovation that works for the customer. The best example of that is the company’s iconic KF850, the single box three-way loudspeaker. It was originally developed because customers had asked for a smaller 3-way loudspeaker with the same performance. This is also true of products in our popular MK line, which came from customer requests for major stadium needs.

Our same commitment to listen to our customer is true of the products that EAW develops today.

Which product do you consider your company’s most innovative?

In our case our most innovative product is not necessarily a Loudspeaker. I feel it is EAW’s Resolution 2 software, which allows for system design, venue modeling and operation of all EAW’s loudspeaker products within one application. Resolution software is really what empowers our entire product family. The high performance of our ADAPTive loudspeaker systems would not be possible without this powerful software. Resolution calculates the parameter set to adapt the coverage of the loudspeaker system to any venue and make changes in real time. That power is in the software.  Resolution 2 is free to download from our website so it’s also the easiest EAW product to experience.

What do you think has been/is the single most important technological achievement in our industry?

I believe that there are two important achievements, and it is hard for me to choose between them. Digital Signal Processing is one. The reasons are apparent with DSP enabling advancement to loudspeaker processing, amplification, and digital mixing consoles. It is now much easier to get a consistent and known result time after time, show after show.

The second achievement is accurate computer modeling tools. This is really applicable for loudspeaker systems in terms of being able to accurately model a sound system’s performance in a room – and with an accurate model you can then improve the results of through system deployment and DSP optimization.

These both have really changed the ability to predict the performance of a sound system in a very precise way. We can now be confident that we can have consistent performance day to day, venue to venue.  This was not possible before these advancements.

What is the accomplishment that you are most proud of?

Professionally, I am most proud of the acoustic design for EAW’s Anya and then later on, the Anna products. These systems rely on advanced signal processing but a system cannot sound great with processing alone. I would say that the inherent acoustic design enables these systems to sound great, the DSP is just icing on top. I am extremely proud of EAW’s development as a company, and my own professional development during both of these projects.  EAW was awarded six patents and two Parnelli awards, I’m really proud of those accomplishments.

Tell us a little about your company culture and your philosophy in leading the team.

EAW is actually a smaller organization than people may expect, and that is because our team is quite dedicated.  We have a work smarter not harder approach to solving problems and helping our customers. For me, I really try to empower each person on the team to deliver products and solutions which help demonstrate their own individual passion for what they do. I want to ensure that talented people have the power to express that passion in products they develop, and solutions that are delivered to customers.

How is your company poised for the future?

EAW has continuously strived to be in the best position to serve our customers. In response to changes with the pandemic, EAW has been enhancing manufacturing capabilities, service and support throughout the U.S. and Europe. This will help make it easier for our customers to get the products and parts they need during this time.

And we are always committed to continually innovating and developing exciting products to serve the needs of our customers.

Finally, what music do you enjoy listening to these days?

I am still listening to a lot of Metallica and more modern Rock and Metal. I have always enjoyed live music, which has been challenging during the pandemic. Certainly, as a loudspeaker designer, I love listening to any music that is well-recorded and purposeful.  I end up listening to a wide range of music like Folk, Jazz, Pop, EDM and everything in-between. Some stand outs for me are Diana Krall, James Taylor and Infected Mushroom.

I still try to go see Metallica every year. I went to their last concert in San Francisco just prior to the pandemic. And my wife and I are going to their upcoming 40th Anniversary Concert.

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Reseller Warranty Policy

The warranty on Celestion loudspeaker products is valid for three (3) years from date of initial purchase, provided the product was originally purchased directly from Celestion or an authorised Celestion distributor.

This warranty covers damage specifically arising from defects in materials and manufacturing. Your speaker is not covered if damage has: been caused by product modification, accident, neglect, misuse, abuse;  been incurred during transportation; resulted from repairs, alterations, or misrepresentation by the vendor; been caused during initial shipping, for example a bent chassis*.

Note, the warranty will not cover any product that has had labels or date code defaced, modified or removed.

*All speakers are individually inspected at the factory before packing. Goods dropped from a height can become damaged, even with no sign of external box damage, therefore damage of this type must be claimed from the delivery company.

Reseller Warranty Claim Process

  • The reseller shall provide a report listing any warranty claim(s), using the standard form provided (Download here). The completed form and a copy of the associated dated invoice(s) should be sent to warranty@celestion.com.
  • Once Celestion has acknowledged the receipt of the warranty claim then product can be returned to Celestion if agreed necessary. Celestion will reimburse associated shipping costs if return is deemed a requirement. 
  • Celestion will evaluate each warranty report and where necessary, inspect the relevant products. A credit will be made to the reseller’s account for all valid warranty claims: the credit will be issued within one month of Celestion validating the warranty claim.
  • Inspection findings by Celestion’s quality department are final on all claims.

Celestion reserve the right to amend and modify this agreement at any time. E&OE

OEM Warranty Policy

The warranty on Celestion loudspeaker products for OEM customers remains in effect for three (3) years from date of manufacture, provided the product has been purchased directly from Celestion, an authorised agent or reseller.  

This warranty covers damage specifically arising from defects in materials and manufacturing. Your speaker is not covered if damage has: been caused by product modification, accident, neglect, misuse, abuse;  been incurred during transportation; resulted from repairs, alterations, or misrepresentation by the vendor; been caused during initial shipping, for example a bent chassis*.

In addition, the warranty will not cover any product that has had labels or date code defaced, modified or removed.

*All speakers are individually inspected at the factory before packing. Goods dropped from a height can become damaged, even with no sign of external box damage, therefore damage of this type must be claimed from the delivery company.

OEM Warranty Claim Process

  • The customer shall provide a regular (monthly unless otherwise agreed) report listing any warranty claims, using the standard form provided (Download here). The completed form and a copy of the associated dated invoice(s) should be sent to warranty@celestion.com.
  • Once Celestion has acknowledged the receipt of the warranty claim then product can be returned to Celestion if agreed necessary. Celestion will reimburse associated shipping costs if return is deemed a requirement.  
  • Celestion will evaluate each warranty report and where necessary, inspect the relevant products. A credit will be made to the customer’s account for all valid warranty claims: the credit will be issued within one month of Celestion validating the warranty claim.
  • Inspection findings by Celestion’s quality department are final on all claims.

 Celestion reserve the right to amend and modify this agreement at any time. E&OE

Pro Audio Legends: An interview with Ralph Heinz of Renkus-Heinz

The success of Renkus-Heinz is a family affair, with three generations of the Heinz family, as well as a number of veteran employees of more than 20 years working together at the company’s headquarters in Foothill Ranch, CA, where the majority of the company’s products are still designed and manufactured in-house.

Ralph Heinz joined the company early on as a trained mechanical engineer who “has a natural talent for understanding acoustics,” according to his father and company founder Harro Heinz.  Patents for innovations such as TRAP (True Array Principle) and CoEntrant technologies reflect the truth of that statement.

As company CTO, Ralph Heinz has been the principal loudspeaker designer at Renkus-Heinz  since 1992 and is credited with developing some of the most advanced digital beam steering solutions on the market today. Renkus-Heinz developed the very first Unibeam – an algorithm that generates asymmetric beams and utilizes the entire array for all frequencies. This allowed for louder beams that could be cast further in a room – and allowed for a more manageable setup. These innovations, along with other unique concepts like Complex Conic horns and Reference Point Arrays, are the foundation of Renkus-Heinz’s well-established reputation for sonic excellence.

We sat down with Ralph to discuss the audio industry, his technical innovations and career at the company, and music in general.

What is your favorite album of all time and why?

That’s an almost impossible question to answer because I love lots of different types of music. However, my parents insisted on my taking piano and music theory lessons growing up. As a result, I did have an affinity towards the progressive stuff as a teenager. So the album I probably listened to more than any other (that’s some type of favorite, right?) was Jethro Tull’s “Thick as A Brick.”

What is the thing that made you want to be part of the audio/music industry?

Back in high school, I was a closet ‘audiophile.’ So I couldn’t have been more excited when my father, Harro Heinz, announced he wanted to start his own company, Renkus-Heinz, and it served the music industry with OEM Compression Drivers.

How did you get your start in the business? And the company?

I was attending San Jose State for mechanical engineering when my father asked me to join Renkus-Heinz as a manufacturing engineer. I took it as my shot to get working in the music industry, and get my own family closer to my parents, so they could see their grandkids grow up.

What is your current position?

I am currently CTO, the only acronym here that was not already taken. (Smile.)

How did your background influence the job you do now? And the company overall?

My background was in manufacturing and mechanical engineering, not acoustics or loudspeaker design. However, my background did provide me with the fundamentals of physics and I quickly learned how to improve our production processes for the drivers and cabinets that we were producing at the time.

To learn the fine art of speaker design, I was fortunate that a lot of smart people before my time, published their work on speakers, horns, crossovers etc. in the AES journals that we had at the office. I also credit Don Keele Jr, with my acoustics tutelage, as we had hired him to consult on our large format Constant Beamwidth horns back in the early 90s.

The CNC routers that I helped spec and procure early on are still in operation today! Not because we are too cheap to update them, in fact, they were simply so well made they survive today.

You and your company are legendary in the industry. In your viewpoint, what is the main reason for that?

Along with producing some of the best compression drivers at the time, my father, Harro Heinz, was one of the first people in the industry to recognize the importance of combining dedicated electronics to enhance a speaker’s performance while providing protection at the limit. Our processor-based Smaart systems gave our customers a reliable platform that lasted well beyond the traditional systems of the day while sounding great doing so.

Which product do you consider your company’s most innovative?

I am very proud of our new ICLive X series. The basic module, the ICLX, is no bigger than a typical 8” two way loudspeaker, yet is capable of adjusting its vertical beamwidth, and steering that energy into the audience (via our Beamware software) and away from reflective surfaces that can degrade the audio. So, on its own, a very powerful, high utility loudspeaker, with high output capabilities and studio monitor-like resolution and sound quality. In addition, the ICLX can also be combined with up to 12 additional cabinets to create a highly directional, fully steerable, line array suitable for up to 90% of the venues out there.

What do you think has been/is the single most important technological achievement in our industry?

Clearly the modern “line array” has changed the way that the industry provides sound for most venues. This drove the development of the digitally steered class of loudspeakers that we specialize in at Renkus-Heinz as an evolutionary improvement and culmination of the line array concept.

What is the accomplishment that you are most proud of?

Believe it or not, that would be my very first loudspeaker for Renkus-Heinz, the C-2. That design would still be considered state of the art, if not for the other advances we helped generate. It featured horn loaded bandpass for the lows, and a co-axial mid/high horn based on a 10” mid driver, and two of our SSD-1800 compression drivers. The drivers were mounted to a manifold and compact constant directivity horn all of my design! Not a bad first effort, and the start of my speaker designer phase at Renkus-Heinz.

Tell us a little about your company culture and your philosophy.

At Renkus-Heinz, we are very much a family business, with my father, Harro Heinz, still firmly at the helm. My sister is the company CFO, and we now have third generation Heinz, my son Brandon Heinz, doing a great job as product manager. Everyone benefits from and appreciates the “family style” business climate my father has fostered, so staff turn-over is not an issue for us, and we have a generally happy and very hardworking team of customer-focused employees.

How is your company poised for the future?

Digitally steered, computer controlled and monitored line arrays are the future, and we are at the forefront of that technology!

What music do you enjoy listening to these days?

The music I listen to the most these days would be the simple straight-ahead rock that I am trying to teach myself to play on the guitar, from AC/DC to ZZ Top. One day I hope to see Muse and/or Rammstein (not on the same bill of course) perform live!

Celestion Debuts the New CDX1-1412 Ultra-Compact High Frequency Compression Driver

 

Ipswich, UK (June 15 2021) —Celestion, one of the world’s leading suppliers of professional loudspeakers and compression drivers for sound reinforcement applications is very pleased to introduce the new CDX1-1412 1” exit, neodymium magnet high frequency compression driver. The unit’s ultra-compact size makes it ideal for small two-way cabinet designs and other highly portable applications, at a very attractive price point.

The CDX1-1412 is the latest of Celestion’s high frequency compression drivers, and features plenty of output for a driver this size:  35W (AES standard), 70W (Continuous) power rating, and 107dB sensitivity across a 1500 to 20kHz frequency band.

Designed and developed at Celestion’s headquarters in Ipswich, England, the CDX1-1412 features a 34mm/1.4-inch diameter edgewound copper clad aluminium voice coil, and a 25mm/1.-inch exit size. The new driver provides 70-watt power handling and delivers a 107dB sensitivity performance over a frequency range of 1,500-20,000Hz, with a recommended crossover frequency of 2,000Hz. The unit features a single piece Polyimide film diaphragm and surround, and is fabricated using a rigid engineering thermoplastic with a standard 2xM5 bolt fitting. Acoustic foam is utilised to minimise internal air cavity resonances, dampening unwanted reflections from the inside of the cover.

“With a diameter of only 60mm, the CDX1-1412 is extremely compact for a one inch exit compression driver, enabling the device to be fitted into small cabinets where space is critical, or to be used with multiple driver horns,” explains Celestion Product Marketing Manager Ken Weller. “It has a highly optimised neodymium magnet assembly and a single piece polyimide diaphragm which means the driver rates at an impressively high 35-watt power handling, measured to AES standard. This makes the device a serious contender for a range of fixed install and compact array applications.”

 

Specifications

Power rating………………………………………. 35W

Continuous power rating……………………… 70W

Nominal impedance…………………………… Available in 8Ω & 16Ω

Sensitivity…………………………………………. 107dB

Frequency………………………………………… 1,500-20,000Hz

Recommended min. crossover…………. (12dB/oct) 2,000Hz

Magnet type……………………………………… Neodymium

Voice coil diameter…………………………….. 34mm/1.4in

Voice coil material……………………….Copper clad aluminium

Diaphragm material……………………………. Polyimide

Surround material………………………………. Polyimide

 

Mounting Information

Width……………………………………………….. 60mm/2.4in

Depth………………………………………………. 34.5mm/1.4in

Unit weight……………………………………….. 0.36kg/0.8lb

Fitting………………………………………..Flange (2x M5 holes on 52mm/2 .05in PCD)

Throat exit…………………………………… 25mm/1in

About Celestion

With worldwide headquarters in Ipswich, England, Celestion design, develop and manufacture high-quality professional audio loudspeakers and compression drivers for sound reinforcement; premium guitar and bass guitar loudspeakers. These world-renowned speakers are used onstage and in clubs, theatres and other venues the world over. Contact Celestion at: info@celestion.com and visit us on Facebook at www.facebook.com/celestion.

www.celestion.com